art classes, Painting Techniques, Paintings, Uncategorized

CREATING ART IN LOCKDOWN

Having managed to run face-to-face, socially-distanced, masked, sanitised, tracked-and-traced classes in the autumn (without any infections arising), it came as a blow to realise that this just wasn’t going to happen in the recent winter course. With rising infections and government lockdowns, there was nothing else for it but to head for the laptop and adapt lessons for online teaching.

Although I have been running private art groups for around 30 years, both here in Northern Ireland and previously in Germany, this has been my greatest challenge. Just when I thought I had earned my wings and could conduct an art course fairly competently, a global pandemic happened! So I delved into my archives (thankfully I had kept notes of lessons throughout the years – slightly disorganised but legible!), collated them and set to work. After many frustrating hours of grappling with PowerPoint, PDF files, demonstration videos, Zoom class meetings and individual video calls, we made it through the course. When I say “we” I mean, of course, myself and my students who were magnificent – logging in each week, trying the zoom password a thousand times until they succeeded, leading me through their house on video calls to view their work and never giving up the faith – I love you all!

The theme of this course was “Reflections” which could either be taken literally or metaphorically (or not used at all!) and the main technique was mixed media, from simple combinations of materials to collage, mono prints, transfer prints, assemblage…

I have put together a selection of just some of the work produced over the past 12 weeks.

Oonagh Catchpole “Donegal Schoolhouse” mixed media; “Donegal Farm” mixed media; “Reflections on the Lagan” mixed media

Janet Clarke “Reed Beds” acrylic; “Autumn Grasses” grasses and oil paint; “North Antrim Coast” oil and grasses; Ink on photographs printed on matt photographic paper

Helen McKelvey “Autumn Seedheads” mixed media on rough watercolour paper; “Killian, Near Malin, Co Donegal” oil on canvas; “Honesty” mixed media on rough watercolour paper (Photo credit The Garden magazine RHS)

Shirley McDonald “David Bailey” transfer print, acrylic and ink; Trace mono prints; “Glasses” acrylic on board

Patricia Burgess Mixed media on canvas; “Remembering Ardglass” mixed media; “The Room” Inks on canvas (work in progress)

Libby Pallin “Botanical Gardens, Melbourne” oil on canvas; “Reflections on Mount Stewart Lake” oil on board

Marie Murray “In Deep I” oil on canvas; “In Deep II” oil on canvas; “Picnic with Pierre” mixed media on paper

Heather Hughes “Early Evening, Victoria Park” acrylic and pastel; “Sunflowers” pencil drawing and acrylic; “Victoria Falls” acrylic, charcoal and pastel

Eilish Smith “Siteseeing in Las Palmas” monochrome collaged painted paper; “Kitchen Sink Chaos” mixed media; “Snakes and Ladders” mixed media using masks

Anne Polland “Mary Anne McCracken, anti-slavery activist” mixed media; “Stile at Ballystokes, near Saul” oil grisaille on textured board; “Emilia, Lockdown Schoolgirl” oil on canvas

Joan Magee “Geranium in a Pot” (inspired by Henri Matisse); “Potted Gerbera for Mum” oil and acrylic; “Splash of Colourful Tulips” oil and acrylic

Margaret Finlay “Roberta” collage; “My Garden” oil on board; Acrylic transfer print

Roberta Lindsay “Skid Row” acrylic transfer, pen on canvas pad; “Twin Brothers” acrylic on canvas board; “The Yard” acrylic on canvas board

Caroline Twemlow Acrylic, wax crayon, collage; acrylic and collage; acrylic transfer, acrylic, ink

Bernie O’Hare “Galway Hookers” oil on canvas (after a painting by Ivan Sutton); “Tra na Rossan ” oil on canvas (from photo by Rita Wilson)

Rosalind McConaghy Acrylic transfer and watercolour; mono print and soft pastel; mono print

Karen Hamilton “Disappearing Footprints” hand appliqué; “Tree” mono print and soft pastel; “Tree” watercolour, mono print and machine stitching; “Covid, covid Reflections” charcoal; “Oyster” watercolour

Julia Simms “Family Ties” mixed media; “Ballyholme Beach” monoprint; Abstract, mixed media; “Reflections of a Wet Dusk”, Ballyholme soft pastels; “Heirlooms, a Reflection” oil on canvas

Barbara Carlisle “Cumbrian Waterfall” oil on canvas; “Boathouse Reflection, Hillsborough; mixed media “Decades of Troubles” mixed media

Katherine Nixon “Skins” oil on gesso panel; “Wrapped” oil on gesso panel

Floresca Karanasou “Dutch Masters” soft pastels, (photo credit Sarah Raven autumn 2020 catalogue); “Lunar Annua” soft pastels (photo credit The Garden magazine Sept 2020)

Drawings, lifedrawing, Sketching, Uncategorized, Workshops

Life drawing

It’s been too long since I posted anything on my blog so here are a few sketches from today’s life drawing workshop. You can see more of my work on Instagram @rosiemcclellandart or on my website http://www.rosiemcclelland.co.uk

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60 minute oil sketch 24 in x 18 in

2 minute gestural poses pen drawings

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Charcoal on cartridge paper

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Mixed Media – acrylic, charcoal, conté, oil pastel

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Mixed Media – conté crayon and oil paint on canvas block

lifedrawing, Workshops

Life drawing Saturdays

A selection of  life drawings from recent life workshops

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90 minute Oil sketch on canvas block

constantly moving series conté crayon on A2 cartridge paper

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10 minute gestural sketch conté crayon on cartridge paper

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90 minute oil sketch on canvas pad

40 minute charcoal drawings on A2 cartridge paper

30 minute mixed media sketches

Charcoal on cartridge paper

lifedrawing, Workshops

May Life Drawing

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Conté crayon and collage on A2 cartridge paper 20  mins

I loved this pose would be a good study for a San Sebastian painting!

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Oil pastels and collage on A2 cartridge paper 30 mins

No quick gestural poses this session 2 x 15 min poses charcoal on cartridge paper

Head studies. Oil on canvas sheets

Drawings, lifedrawing, Workshops

Back in the Liferoom

It’s been nearly 3 months since my last foray into the life room and it was so good to shake off the temptation to sink into winter hibernation on this miserable grey January Saturday. Below are a few sketches from the 4 hour session…..

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2 minute gestural sketches – charcoal on A2 cartridge paper

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15 minute sketch charcoal on A2 cartridge paper

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45 mins mixed media in A3 sketch book

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15 mins gouache/charcoal on watercolour sheet

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Mixed media in A3 sketch book

Artist Bio, Charity Exhibition, Exhibitions

Charity Exhibition – Artist Bios – Patricia Burgess

Patricia Burgess.

Qualified as a lawyer but began painting seriously about 18 years ago.  I work in most media –sometimes all at once, which I love,  using whatever processes or methods seem to suit the image in my mind’s eye, be it  free and full of colour like Barbara Rae, or quiet and cool like Morandi. The effect of light on colour plus a strong form are always important to me whatever the catalyst, and I love to experiment with new methods and subject matter. Fascinated by Picasso’s cubism in my teens, his earlier works came as a revelation when I discovered them. I continue to discover artists who excite me –  Cezanne, the Pointillistes, Uglow, Hockney, Freud, Diebenkorn and many, many  others..

Full Member of Ulster Watercolour Society, Art Society of Ulster, Ulster Women Artists, Pastel Society of Ireland, received awards from all , and  selected to exhibit at RHA, RUA, and  final of the Laing Exhibition in the,Mall Gallery London.

Pat Burgess1    Pat Burgess2

Artist Bio, Charity Exhibition

Charity Exhibition – Artist Bios- Kay Cullen – Shirley Barlow

Kay Cullen

Kay has enjoyed painting for many years.

When she discovered pastel painting she found her forte and made many friends in the Pastel Society of Ireland of which she is an award-winning member.

Since retiring Kay has received lots of help and encouragement, through Rosie’s classes and summer painting holidays, to try many different approaches to drawing and painting.

She is currently working, in various media, on a series of paintings inspired by the poetry of W.B. Yeats for a solo exhibition in the Crescent Arts Centre, Belfast in September 2015.

Kaycullen      FullSizeRender

Shirley Barlow

Shirley has loved painting all her life but started painting seriously about twenty years ago. She loves to experiment in all media – acrylic, inks, oil, charcoal and collage in fact she likens herself to a butterfly flitting from one thing to another – well life’s too short to get bored or boring and the main thing is she enjoys what she does immensely!

She is a member of the Artists Society of Ulster, Ulster Watercolour Society and the Ulster Women Artists

shirley2    shirly1

Workshops

Mixed Media Workshop

The regular classes finished today but before I get carried away by the Christmas spirit I wanted to post some images from last Saturday’s mixed media workshop.  Sometimes I like to link themes to current exhibitions in the knowledge that some people will either have already visited them or intend to do so.

In light of the present “Analysing Cubism” exhibition at the F.E. McWilliam gallery, Banbridge, Co Down, the Paul Klee exhibition “Making Visible” at Tate Modern London, Gustav Klimt at the Portrait in Vienna exhibition, National Gallery London, I decided to (loosely) base the workshop around the theme of cubism and geometricizing images.

Nine people took part. Below are the results – please bear in mind that some are works in progress.

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Shirley Barlow collaged digital prints, acrylic, monoprinting

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Oonagh Catchpole collaged painted  japan paper, acrylic,pastel 

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 Roberta Lindsay acrylic inks gold leaf

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Pat Burgess inks collaged paper cellophane (unfinished)

20131130_162109_resizedChristine Henderson watercolour collage gold leaf, pencil (unfinished)

20131130_162408_resizedJanet Clarke acrylic, collage (unfinished)

20131130_162808_resizedPamela Greene watercolour pencil collaged photos

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Caroline Twemlow  painted paper collage oils

20131206_124530_resizedKaren Hamilton watercolour, pencil, collage,gold leaf