The weather gods were kind this year although if I were one to bite my nails they would be down to the quick! For painters it was perfect – windy, cloudy and sunny all in one Donegal day. Motifs are always plentiful, satisfying every taste whether landscape, water, fishing ropes, scudding clouds, busy, colourful, towns or sweeping mountain passes.
Below is a slideshow of some of the work produced
This year we had a guest tutor, the ceramic artist Alan Snape, who gave a masterclass in modelling in clay. Results were stunning as you can see…
All over for another year. My thanks to Alan Snape, the Potter, for his excellent tuition, to Gerry (Mrs Potter and my big sis) for her help making thousands of sandwiches and gallons of coffee and tea and of course to all those who took part for your work, the laughs, the wine and the company!
Through the media of paint, glass and photography Rosie McClelland and Pamela Greene each explore the complex issue of identity. Recognising that identity has may facets and is subject to reinvention, their work explores the relationships we form with certain people, landscapes or objects and why these draw us close on emotional, spiritual or physical levels that we do not always understand. Drawn to the imperfections in the human condition and in nature, McClelland’s and Greene’s work recognises that it is in connecting with these fault lines that we find our DNA
‘Little Blue’ oil on linen 50 x 40cm Rosie McClelland
The condition of self is transitory, never fixed. Our position within society, family and workplace can change radically throughout our lives. It is with this in mind that I approach my work which is first and foremost intimate and reflective, a personal response to my subject matter.
My chosen method of working is figurative, weaving underlying abstract forms into reality and, in the process, hopefully creating a sense of presence – a vibration. The study of the human body, an ongoing fascination throughout my life, returns time and again as does the art of still life which is about much more than the objects it portrays and more often than not represents human relationships. Another repeating motif is the tethered boat, so long a symbol of the spiritual, at times swaying on choppy seas, times on still waters portraying a reflection of the self.
Woven into this process is the acceptance of faults, fractures and imperfections as it is only through a holistic view of reality that the truth and the real self are revealed. Rosie McClelland
Iceland Series ‘Frozen Sea’ dia 30cm depth 18cm Pamela Greene
Through the media of kiln-formed glass, photography and poetry I explore my primary interest, identity. I am particularly drawn to the identity of landscape and why many of us make emotional or spiritual or physical connection with wild and inhospitable places whose beauty is often savage and transient.
My current work focuses on the landscapes of Iceland and Ireland, sustained sources of inspiration. For my ‘Iceland’ series I chose to work with glass for its versatility: its ability – like ice – to transmit and reflect light, its reaction to fire, and, like the landscape of Iceland, its strength and vulnerability. These properties make it the perfect medium to try to reflect the spirit of a landscape whose identity is shaped by ice and fire.
My glasswork is supported by photographs of Donegal, a landscape similar to that of Iceland. In these I have sought to capture the essence of a fractured and fragmented landscape where it sometimes seems that the identity and history of our ancestors can be read in the faces and fault lines of the rock formations.
Working with glass and photography has enabled me to explore how landscape, actual and remembered, shapes our sense of who we are and where we come from. Pamela Greene
On Saturday 12 Nov 2016 10am – 4pm, I shall be tutoring a life drawing workshop in the Island Arts Centre, Lisburn. Please contact the Island for details