Rosie McClelland Art

Faultlines and Fractures

In Artist Bio, Exhibitions, Uncategorized on October 17, 2016 at 6:12 pm

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Through the media of paint, glass and photography Rosie McClelland and Pamela Greene each explore the complex issue of identity. Recognising that identity has may facets and is subject to reinvention, their work explores the relationships we form with certain people, landscapes or objects and why these draw us close on emotional, spiritual or physical levels that we do not always understand. Drawn to the imperfections in the human condition and in nature, McClelland’s and Greene’s work recognises that it is in connecting with these fault lines that we find our DNA

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‘Little Blue’ oil on linen 50 x 40cm Rosie McClelland

The condition of self is transitory, never fixed. Our position within society, family and workplace can change radically throughout our lives. It is with this in mind that I approach my work which is first and foremost intimate and reflective, a personal response to my subject matter.

My chosen method of working is figurative, weaving underlying abstract forms into reality and, in the process, hopefully creating a sense of presence – a vibration. The study of the human body, an ongoing fascination throughout my life, returns time and again as does the art of still life which is about much more than the objects it portrays and more often than not represents human relationships. Another repeating motif is the tethered boat, so long a symbol of the spiritual, at times swaying on choppy seas, times on still waters portraying a reflection of the self.

Woven into this process is the acceptance of faults, fractures and imperfections as it is only through a holistic view of reality that the truth and the real self are revealed.                   Rosie McClelland

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Iceland Series ‘Frozen Sea’ dia 30cm depth 18cm Pamela Greene

Through the media of kiln-formed glass, photography and poetry I explore my primary interest, identity.   I am particularly drawn to the identity of landscape and why many of us make emotional or spiritual or physical connection with wild and inhospitable places whose beauty is often savage and transient.

My current work focuses on the landscapes of Iceland and Ireland, sustained sources of inspiration.   For my ‘Iceland’ series I chose to work with glass for its versatility: its ability – like ice – to transmit and reflect light, its reaction to fire, and, like the landscape of Iceland, its strength and vulnerability.  These properties make it the perfect medium to try to reflect the spirit of a landscape whose identity is shaped by ice and fire.

My glasswork is supported by photographs of Donegal, a landscape similar to that of Iceland.  In these I have sought to capture the essence of a fractured and fragmented landscape where it sometimes seems that the identity and history of our ancestors can be read in the faces and fault lines of the rock formations.

Working with glass and photography has enabled me to explore how landscape, actual and remembered, shapes our sense of who we are and where we come from.                            Pamela Greene

 

 

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Charcoal on watercolour paper Rosie McClelland

 On Saturday 12 Nov 2016 10am – 4pm, I shall be tutoring a life drawing workshop in the Island Arts Centre, Lisburn. Please contact the Island for details

 


 

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Donegal Sketching August 2016

In Donegal, Holiday, On Location, Sketching, Uncategorized on October 11, 2016 at 7:03 pm

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Monday August 8  – The deserted fishing village of Port was our first venue. A windswept but sunny day creating a continually changing light show….

       Tuesday August 9     Assaranca Waterfall and Ardara Town

 

Wednesday August 10 – A wet day so drawing exercises inside the cottage using Donegal’s wild flowers20160825_161811_resized

‘Losing control’- Sketching with charcoal taped onto the end of a paintbrush                   (left to right Margaret F, Kay McC, Karen W, Gavin H)

‘Large and Small Scale’ – drawing with a paintbrush and black ink on scrolled paper, pen and ink on small scale card. (left Kay McC, right Pamela G)

Subtraction drawings with charcoal and putty rubber.(left Pamela G, right Gavin H)

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Brambles (Margaret)

Thank you to all who took part!

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September Life drawing workshop

In lifedrawing, Uncategorized, Workshops on September 26, 2016 at 5:06 pm

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Conté crayons on toned paper 65cm x 55cm 60mins

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Conté and charcoal on A2 cartridge paper 30 mins

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Pen and wash in A4 sketch book 15 mins

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Charcoal on A1 watercolour paper 30 mins